Sun, Jan 14th | 10:30 AM
Thursday, October 19, 2017 ♦ 8:00 PM
4544 N Lincoln Ave · Gary and Laura Maurer Concert Hall · 773.728.6000
Donavon Frankenreiter's new album, "The Heart," officially marks the start of the singer-songwriter's second decade as a solo recording artist. It's been over ten years since the release of his self-titled debut, and in that time he has grown, not only as a musician, but also as a man. He's raising a family and nurturing two creative careers-one onstage, one in the waves-but on top of all that, he's still learning what makes him tick. And so, naturally, he named his album after his ticker.
A decade into his career, Donavon Frankenreiter has learned to listen to his ticker above all else. Doing so has allowed the light to come in from all the corners of his world, even those where there is darkness. Sharing the load with those he trusts, and especially with those he loves, he has seized the opportunity to take control of his craft, on his own terms, and to follow his own beat.
"I went into this album saying I wanted to make songs I love," he says. "Whatever feels right, go ahead and record it, and worry about what happens after, afterwards. I'm proud of it. I go back to the title of the album, and in the song 'You and Me,' that chorus: 'It's gotta be from the heart/for it to start'….There's so many things going on out there, everybody's moving to the beat of a different drum, but I feel like all good things start from the heart."
Jonas Friddle is an Americana musician raised in the mountains of western North Carolina and currently residing in Chicago, IL. An accomplished banjo player and songwriter, his compositions have received Song of the Year from The John Lennon Songwriting Competition, First Place in the Great American Song Contest and a nomination for Album of the Year in the Independent Music Awards. He is joined by long-time collaborator and multi-instrumentalist Anna Jacobson.
”Friddle deftly explores just about every nook and cranny of modern folk, from revivalist antique appropriation to protest songs to modern love songs. The immaculate arrangements would sell it, if his lithe voice hadn't already given it away. Amazing stuff.” - Independent Clauses