Concerts & Events

Wednesday, May 23, 2018  ·  8:30 PM


World Music Wednesday

4544 N Lincoln Ave · Gary and Laura Maurer Concert Hall · 773.728.6000

World Music Wednesdays

A weekly showcase of world music and dance featuring the best local and touring talent! Most shows are Wednesday nights at 8:30 PM.

Most World Music Wednesday concerts are free with a $10 suggested donation. TO GUARANTEE YOUR ENTRY MAKE YOUR RESERVATIONS IN ADVANCE EITHER ONLINE OR BY CALLING THE BOX OFFICE AT 773.728.6000. Reservations unclaimed 10 minutes before showtime will be released to waiting patrons.

FREE, with a suggested donation of $10, unless otherwise noted and FREE with an Urban Gateways Teen Arts Pass.

Dálava is a unique cross-genre project that reflects a body of Moravian (Czech) folk songs of the 19th and early 20th century through the lens of 21st century creative jazz, world and post-rock styles. This is their second record – the self-titled 2014 release (Sanasar Records) featured a superb trio of New York string players. Now, American vocalist Julia Ulehla and guitar wizard Aram Bajakian (Lou Reed, John Zorn), musical and life partners, are joined by a new band of improvisers from Vancouver, where Julia is currently writing her PhD dissertation on this music. The songs are like fairy tales or compact, elliptical parables, and for each of them Dálava has crafted its own sound world. Inspired by her years in Italy as actress and singer at the Workcenter of Jerzy Grotowski and Thomas Richards, Julia animates their affecting melodies and archetypal storylines of love, death and the natural world through an improvisational yet ritual approach to performance. It's a kind of musical séance; indeed, there is a generations-long personal bond at work, as the songs were collected in his home village by her great grandfather Vladimir Úlehla, a botanist and ethnomusicologist who viewed folk songs as living organisms. So they prove to be in Dálava's bold, powerful and tender interpretations.

"…Sometimes delicate, sometimes punishing, but the beauty of the songs always comes through powerfully. Ulehla careens, sails, and shimmers through the varied interpretations with penetrating strength—her singing is sometimes heavenly and ethereal, sometimes gruff and earthy, as though she were channeling the spirit of a hardscrabble village woman who's known these songs her whole life." - Peter Margasak, The Chicago Reader