Fri, Dec 5th | 6:30 PM
Friday, October 11, 2013 ♦ 8:00 PM
4544 N Lincoln Ave · Gary and Laura Maurer Concert Hall · 773.728.6000
SARAH JAROSZ is a 22- year-old, Grammy-nominated singer, songwriter and multi-instrumentalist who hails from just outside Austin, Texas. A recent graduate from the prestigious New England Conservatory, she will release her third album, Build Me Up From Bones, for Sugar Hill Records on September 24th. Over the past four years, Jarosz, who musically fits comfortably where contemporary folk, Americana, and roots music intersect, has covered a remarkable amount of ground thus far. She has toured the United States extensively, as well as Canada and the UK, taped Austin City Limits and the BBC Series The Transatlantic Sessions and appeared on A Prairie Home Companion. Her two previous records (Song Up In Her Head and Follow Me Down) received high praise from outlets including Rolling Stone, New York Times, USA Today, Paste, Mojo, Acoustic Guitar, and American Songwriter, and she has received multiple Grammy and Americana Music Association nominations.
Sarah is supported on the road by stellar musicians Alex Hargreaves (fiddle) and Nathaniel Smith (cello). Hargreaves recently completed the prestigious Berklee Global Jazz Institute at the Berklee College of Music in Boston and has been tapped to perform and record with such musicians as Jerry Douglas and jazz master Danilo Perez. Smith has toured for years with renown Cape Breton fiddler Natalie MacMaster and, more recently, in various configurations with Jeremy Kittel. Jarosz, Hargreaves and Smith, who met at various music camps when they were much younger, have been performing together since 2010; the sheer joy they express on stage during performances is contagious. Hargreaves and Smith are both featured on Jarosz's upcoming release Build Me Up From Bones.
Willie Watson, former lead singer and songwriter for Old Crow Medicine Show, performs stripped down and intimate solo shows with a mix of music penned throughout his career as well as traditional songs. Dividing his time between guitar and banjo, Watson's focus is on his voice, which he utilizes with an effortless maturity.